WORDS: Patrick Kolan Let me tell you about The Dark Tower. In terms of cinematic tumult, the adaptation of dark-fiction sensei Stephen King’s offbeat horror-cum-western-cum-fantasy has weathered a lot. In the past twenty years, it’s changed directors and producers over and over, swerving back and forth from television to film, to a trilogy, back to…
It delights me to report that Baby Driver is a monumental fucking triumph. This is the best action movie of 2017 and the best thing Wright has done to date.
WORDS: Patrick Kolan | @patchkolan There are a few ways I want to approach this, so let’s get the obvious stuff out of the way. Alien: Covenant is a very pretty, very watchable disappointment in all the same ways as Prometheus before it. Nothing in the intervening years demonstrates to me that Ridley Scott has learned about…
When Ghost in the Shell debuted in manga form in 1989, we were living in a pre-Internet age – a time of William Gibson cyber-punk fiction, the personal computer held infinite potential and the year 1999 still felt like the far-flung, robot-filled future. It was a pre-The Matrix time. It was a more innocent technological age.
You remember that kid in school, or maybe at work, who always thought he was smarter than everybody else – when in fact he was a grade-A dumb-shit with a big mouth and lot of swagger? That’s A Cure For Wellness – easily a contender for the worst film of the year – and it’s only March.
If there wasn’t another superhero movie after Logan – if Logan was the swansong for not just Marvel’s fan-favourite Cannuck but for all superheroes on celluloid, I’d be absolutely fine with this. I think, with Logan, we’ve now seen the upper limits of what comics-on-film can achieve.
Words: Chris Neill The last 12 months have been rough for Ben Affleck. He’s had to suffer through the embarrassment of Batman v Superman: Dawn of Justice, the overwhelming whatever-ness of The Accountant and his new status as a kind of funny Internet meme. While the announcement that he’s helming the new solo Batman movie…
It’s never a good sign when the audience starts laughing during “serious” moments in a film.
LA LA Land joins the ranks of other great, hard-working musicals that sit on the periphery of the cinema landscape, pulling big numbers and high praise in a refreshing reminder that superheroes aren’t the only people jumping around in spandex on screens these days.
There’s an old saying that you should appreciate the small things in life. These small things are where Paterson finds it’s meaning; that inspiration and happiness can come from the smallest objects or interactions.
In his book Bambi Vs. Godzilla, screenwriting legend David Mamet puts forward an argument as to why we watch so many lacklustre, big budget Hollywood films: one time we saw a really phenomenal one, and ever since then, we’ve been “chasing the dragon”.
I appreciate Doctor Strange—it tries really hard to hit all the right notes; it works to make you smile. Scott Derrickson had a tough gig with this one, I suspect—trying to sell audiences on the philosophy and magic of Marvel’s laconic wizard in a post-Avengers, post-Guardians of the Galaxy world.