Review: Anchorman 2: The Legend Continues

The long-awaited return of moustachioed lothario anchorman Ron Burgundy is a disappointment; it’s as forced and puffed up as his hairdo – a series of stitched together gags that form an incoherent story about the perils of manipulative media. It should know; Anchorman 2: The Legend Continues is all about manipulating old set-ups and leveraging…

Review: ‘Iron Man 3’

When Robert Downey Jr.’s opening monologue kicks in over ‘Iron Man 3’s smartly edited opening sequence, the standard is set for a tonally different Marvel Comics film adaptation. You can thank veteran action film director Shane Black for that. His previous catalogue reads like a how-to guide to crafting smart, sexy action – itself exactly…

Review: ‘Beautiful Creatures’

Many of you will have already discovered, with some dismay, that ‘Paranormal Romance’ now constitutes its own section at your local bookstore. As a genre, it boasts such flagships as the ‘Twilight’ saga, ‘The Vampire Diaries’ and, more recently, ‘The Caster Chronicles’ – the first instalment of which is ‘Beautiful Creatures’, the inspiration for a…

Review: ‘The Guilt Trip’

‘The Guilt Trip’ is a bit like a mayonnaise sandwich: it doesn’t take a lot of thought or creativity to put it together, but the result is pretty bland. The problem with this formulaic comedy it that it is neither good nor bad; it’s uninspiring. The characters feel half-drawn and the emotional and narrative points…

Review: ‘Django Unchained’

Quentin Tarantino, a name synonymous with extremely well written, impeccably considered and very provocative filmmaking, returns with yet another revenge tale. This time, Django Unchained tackles slavery and sets it against a ‘western’-genre backdrop. This is a wonderful film – it is, but once in a while someone needed to tap Q on the shoulder…

Review: ‘The Hobbit: An Unexpected Journey’

A decade after Peter Jackson became a household name with his (and partner Fran Walsh’s) screen adaptation of ‘The Lord of the Rings’, the duo are preparing for another trilogy. This time, after years of on-again, off-again production woes and collaboration with one-time confirmed director Guillermo Del Toro, we’ve seen ‘The Hobbit: An Unexpected Journey’…

Review: ‘ParaNorman’

It has always been a practice of mine to never trust an overly-glowing review of any film; if the critic can’t find fault, they haven’t looked hard enough. So if you therefore choose not to trust the following review of writer/director Chris Butler’s ‘ParaNorman’, I completely understand—but, believe me, I’ve looked hard. High-schooler Norman Babcock…

Review: Nintendo Land – The Wii U’s ‘Wii Sports’

Review: Nintendo Land – The Wii U’s ‘Wii Sports’ If there’s one piece of software that perfectly encapsulates not only the Wii U’s biggest charms but also its flaws, it’s Nintendo Land. This title is included in the Premium Bundle –and well worth looking into. PATRICK KOLAN buys the ticket and takes the ride. The…

Review: ‘Skyfall’

After the unsettlingly poor ‘Quantum of Solace’ in 2008, fans found little solace of their own in the prospect of another dud for superspy James Bond. Four years on, ‘Skyfall’ picks up the torch and redeems a franchise that always seems one film away from wearing out its welcome. Sam Mendes (‘American Beauty’) takes the…

Review: ‘Silent Hill: Revelation 3D’

The first Silent Hill film was by no means a “masterpiece”, or even a minor “piece” at that. Like many game-to-film adaptations, the film fell flat with its lack of intrigue, direction and the most important aspect in a psychological horror: horror itself. Six years after the fact, Michael J. Bassett, a largely unknown director…

Review: ‘The Master’

When boiled down, every Paul Thomas Anderson movie is about an outsider looking in. ‘Boogie Nights’ is about breaking into a scene. ‘Punch-Drunk Love’ is all about sitting outside normal human relationships and peering in. ‘The Master’ is a search for direction and place to belong. For a filmmaker who thrills at confronting personality flaws…