If there wasn’t another superhero movie after Logan - if Logan was the swansong for not just Marvel’s fan-favourite Cannuck but for all superheroes on celluloid, I’d be absolutely fine with this. I think, with Logan, we’ve now seen the upper limits of what comics-on-film can achieve.
LA LA Land joins the ranks of other great, hard-working musicals that sit on the periphery of the cinema landscape, pulling big numbers and high praise in a refreshing reminder that superheroes aren’t the only people jumping around in spandex on screens these days.
Quentin Tarantino, a name synonymous with extremely well written, impeccably considered and very provocative filmmaking, returns with yet another revenge tale. This time, Django Unchained tackles slavery and sets it against a ‘western’-genre backdrop. This is a wonderful film – it is, but once in a while someone needed to tap Q on the shoulder [...]
Everything about ‘Looper’ feels big. It starts with a great premise: in the future, the mob uses illegal time travel technology to whisk their targets back to the past, where hitmen known as loopers knock them off. Joe, played by Joseph Gordon-Levitt (‘Inception’, ‘The Dark Knight Rises’) is one such looper, who learns that his [...]
Surely the mark of true creativity rests in part with the ability to take the trivial and transform it into something unexpected. For a director with such consistent, even iconic, techniques and themes (a love of pastels, precocious children, jaded adults and deliberately stilted linguistics amongst them), Wes Anderson manages to craft something utterly unique [...]