Why ‘Mute’ on Netflix is great, the critics are wrong, and you probably are too.

Words: Patrick Kolan | @PatchKolan I went into Mute not knowing a whole lot about it. It was so low-key a release that it flew under the radar of the target audience (that is, me). Then I was told that the critical response was resoundingly negative—running to about 15% positive on that aggregate marketing doom-beast [...]

Alien: Covenant Review | An Essay on Why Ridley Scott Shouldn’t Make Alien Films Anymore

WORDS: Patrick Kolan |  @patchkolan There are a few ways I want to approach this, so let’s get the obvious stuff out of the way. Alien: Covenant is a very pretty, very watchable disappointment in all the same ways as Prometheus before it. Nothing in the intervening years demonstrates to me that Ridley Scott has learned about [...]

Ghost in the Shell | Spoiler-free Review

When Ghost in the Shell debuted in manga form in 1989, we were living in a pre-Internet age – a time of William Gibson cyber-punk fiction, the personal computer held infinite potential and the year 1999 still felt like the far-flung, robot-filled future. It was a pre-The Matrix time. It was a more innocent technological age.

Review: ‘Looper’

Everything about ‘Looper’ feels big. It starts with a great premise: in the future, the mob uses illegal time travel technology to whisk their targets back to the past, where hitmen known as loopers knock them off. Joe, played by Joseph Gordon-Levitt (‘Inception’, ‘The Dark Knight Rises’) is one such looper, who learns that his [...]