Review: Grudge Match

A film called “Grudge Match” starring Stallone and De Niro sounds like it would be dark, gritty, bloody, violent action film. The sucker punch is that it’s actually a comedy with more emphasis on love and family. As an elderly comedic duo, Sylvester Stallone as Henry ‘Razor’ Sharp and Robert De Niro as Billy ‘The…

Review: ‘Beautiful Creatures’

Many of you will have already discovered, with some dismay, that ‘Paranormal Romance’ now constitutes its own section at your local bookstore. As a genre, it boasts such flagships as the ‘Twilight’ saga, ‘The Vampire Diaries’ and, more recently, ‘The Caster Chronicles’ – the first instalment of which is ‘Beautiful Creatures’, the inspiration for a…

Review: ‘The Guilt Trip’

‘The Guilt Trip’ is a bit like a mayonnaise sandwich: it doesn’t take a lot of thought or creativity to put it together, but the result is pretty bland. The problem with this formulaic comedy it that it is neither good nor bad; it’s uninspiring. The characters feel half-drawn and the emotional and narrative points…

Review: ‘Django Unchained’

Quentin Tarantino, a name synonymous with extremely well written, impeccably considered and very provocative filmmaking, returns with yet another revenge tale. This time, Django Unchained tackles slavery and sets it against a ‘western’-genre backdrop. This is a wonderful film – it is, but once in a while someone needed to tap Q on the shoulder…

Review: ‘The Hobbit: An Unexpected Journey’

A decade after Peter Jackson became a household name with his (and partner Fran Walsh’s) screen adaptation of ‘The Lord of the Rings’, the duo are preparing for another trilogy. This time, after years of on-again, off-again production woes and collaboration with one-time confirmed director Guillermo Del Toro, we’ve seen ‘The Hobbit: An Unexpected Journey’…

Review: ‘Skyfall’

After the unsettlingly poor ‘Quantum of Solace’ in 2008, fans found little solace of their own in the prospect of another dud for superspy James Bond. Four years on, ‘Skyfall’ picks up the torch and redeems a franchise that always seems one film away from wearing out its welcome. Sam Mendes (‘American Beauty’) takes the…

Review: ‘Silent Hill: Revelation 3D’

The first Silent Hill film was by no means a “masterpiece”, or even a minor “piece” at that. Like many game-to-film adaptations, the film fell flat with its lack of intrigue, direction and the most important aspect in a psychological horror: horror itself. Six years after the fact, Michael J. Bassett, a largely unknown director…

Review: ‘The Master’

When boiled down, every Paul Thomas Anderson movie is about an outsider looking in. ‘Boogie Nights’ is about breaking into a scene. ‘Punch-Drunk Love’ is all about sitting outside normal human relationships and peering in. ‘The Master’ is a search for direction and place to belong. For a filmmaker who thrills at confronting personality flaws…

Review: ‘Searching For Sugar Man’

This should really prove to be the ultimate hipster movie. It’s a great case of “Oh, Rodriguez? I’ve known about him for years now.” For the layman, like me, I had no idea. ‘Seaching For Sugar Man’ is a documentary that uncovers the bafflingly improbable career path of 60s-70s musician, Rodriguez – a solo songwriter…

Review: ‘Safety Not Guaranteed’

Two time-travelling movies on big screens at the same time? That just happened—not that I’m complaining, particularly when they’re this good. Joining ‘Looper’ is the tonally opposite comedy with a warm, gooey centre, ‘Safety Not Guaranteed’. It’s a remarkable production, given the limited budget ($750,000 – which is tiny by most Hollywood standards) and the…