It delights me to report that Baby Driver is a monumental fucking triumph. This is the best action movie of 2017 and the best thing Wright has done to date.
If there wasn’t another superhero movie after Logan – if Logan was the swansong for not just Marvel’s fan-favourite Cannuck but for all superheroes on celluloid, I’d be absolutely fine with this. I think, with Logan, we’ve now seen the upper limits of what comics-on-film can achieve.
LA LA Land joins the ranks of other great, hard-working musicals that sit on the periphery of the cinema landscape, pulling big numbers and high praise in a refreshing reminder that superheroes aren’t the only people jumping around in spandex on screens these days.
I thought I was burnt out on Spider-Man. I was wrong. This looks great.
I appreciate Doctor Strange—it tries really hard to hit all the right notes; it works to make you smile. Scott Derrickson had a tough gig with this one, I suspect—trying to sell audiences on the philosophy and magic of Marvel’s laconic wizard in a post-Avengers, post-Guardians of the Galaxy world.
When Robert Downey Jr.’s opening monologue kicks in over ‘Iron Man 3’s smartly edited opening sequence, the standard is set for a tonally different Marvel Comics film adaptation. You can thank veteran action film director Shane Black for that. His previous catalogue reads like a how-to guide to crafting smart, sexy action – itself exactly…
So. Spider-Man. Did we really need a reboot of a series that had the major Hollywood treatment barely a decade ago—spawning three films and countless games, toys and comic book ephemera? Nah. Not really. But then, when you consider how corny and downright lousy Sam Raimi’s Spider-Man 3 was – and certainly parts of 1…