It’s too long by a good 30 minutes, feels like two films mashed together, has about five endings and it seems to be taking cues from the George R. R. Martin school of right-angled plot twists. Yet, Star Wars Episode VIII: The Last Jedi is an embarrassment of riches – overstuffed with good bits, fan-service, stories and twists.
It delights me to report that Baby Driver is a monumental fucking triumph. This is the best action movie of 2017 and the best thing Wright has done to date.
WORDS: Patrick Kolan | @patchkolan There are a few ways I want to approach this, so let’s get the obvious stuff out of the way. Alien: Covenant is a very pretty, very watchable disappointment in all the same ways as Prometheus before it. Nothing in the intervening years demonstrates to me that Ridley Scott has learned about [...]
When Ghost in the Shell debuted in manga form in 1989, we were living in a pre-Internet age – a time of William Gibson cyber-punk fiction, the personal computer held infinite potential and the year 1999 still felt like the far-flung, robot-filled future. It was a pre-The Matrix time. It was a more innocent technological age.
If there wasn’t another superhero movie after Logan - if Logan was the swansong for not just Marvel’s fan-favourite Cannuck but for all superheroes on celluloid, I’d be absolutely fine with this. I think, with Logan, we’ve now seen the upper limits of what comics-on-film can achieve.
LA LA Land joins the ranks of other great, hard-working musicals that sit on the periphery of the cinema landscape, pulling big numbers and high praise in a refreshing reminder that superheroes aren’t the only people jumping around in spandex on screens these days.
I appreciate Doctor Strange—it tries really hard to hit all the right notes; it works to make you smile. Scott Derrickson had a tough gig with this one, I suspect—trying to sell audiences on the philosophy and magic of Marvel’s laconic wizard in a post-Avengers, post-Guardians of the Galaxy world.
*Author's note: As always, I have avoided spoilers – so there will be little discussion of the story itself. * Wes Anderson’s work has a tendency to rub some people the wrong way. I will never understand them. They must see the world weirdly, in a different hue, to a different score. So does Wes, [...]
The long-awaited return of moustachioed lothario anchorman Ron Burgundy is a disappointment; it’s as forced and puffed up as his hairdo – a series of stitched together gags that form an incoherent story about the perils of manipulative media. It should know; Anchorman 2: The Legend Continues is all about manipulating old set-ups and leveraging [...]
Quentin Tarantino, a name synonymous with extremely well written, impeccably considered and very provocative filmmaking, returns with yet another revenge tale. This time, Django Unchained tackles slavery and sets it against a ‘western’-genre backdrop. This is a wonderful film – it is, but once in a while someone needed to tap Q on the shoulder [...]