Baby Driver | Spoiler-free Review

It delights me to report that Baby Driver is a monumental fucking triumph. This is the best action movie of 2017 and the best thing Wright has done to date.

The Accountant – Movie Review [SPOILER-FREE]

In his book Bambi Vs. Godzilla, screenwriting legend David Mamet puts forward an argument as to why we watch so many lacklustre, big budget Hollywood films: one time we saw a really phenomenal one, and ever since then, we’ve been “chasing the dragon”.

Review: Anchorman 2: The Legend Continues

The long-awaited return of moustachioed lothario anchorman Ron Burgundy is a disappointment; it’s as forced and puffed up as his hairdo – a series of stitched together gags that form an incoherent story about the perils of manipulative media. It should know; Anchorman 2: The Legend Continues is all about manipulating old set-ups and leveraging…

Review: ‘Iron Man 3’

When Robert Downey Jr.’s opening monologue kicks in over ‘Iron Man 3’s smartly edited opening sequence, the standard is set for a tonally different Marvel Comics film adaptation. You can thank veteran action film director Shane Black for that. His previous catalogue reads like a how-to guide to crafting smart, sexy action – itself exactly…

Review: ‘Beautiful Creatures’

Many of you will have already discovered, with some dismay, that ‘Paranormal Romance’ now constitutes its own section at your local bookstore. As a genre, it boasts such flagships as the ‘Twilight’ saga, ‘The Vampire Diaries’ and, more recently, ‘The Caster Chronicles’ – the first instalment of which is ‘Beautiful Creatures’, the inspiration for a…

Review: ‘The Guilt Trip’

‘The Guilt Trip’ is a bit like a mayonnaise sandwich: it doesn’t take a lot of thought or creativity to put it together, but the result is pretty bland. The problem with this formulaic comedy it that it is neither good nor bad; it’s uninspiring. The characters feel half-drawn and the emotional and narrative points…

Review: ‘Django Unchained’

Quentin Tarantino, a name synonymous with extremely well written, impeccably considered and very provocative filmmaking, returns with yet another revenge tale. This time, Django Unchained tackles slavery and sets it against a ‘western’-genre backdrop. This is a wonderful film – it is, but once in a while someone needed to tap Q on the shoulder…

Review: ‘The Hobbit: An Unexpected Journey’

A decade after Peter Jackson became a household name with his (and partner Fran Walsh’s) screen adaptation of ‘The Lord of the Rings’, the duo are preparing for another trilogy. This time, after years of on-again, off-again production woes and collaboration with one-time confirmed director Guillermo Del Toro, we’ve seen ‘The Hobbit: An Unexpected Journey’…

Review: ‘Skyfall’

After the unsettlingly poor ‘Quantum of Solace’ in 2008, fans found little solace of their own in the prospect of another dud for superspy James Bond. Four years on, ‘Skyfall’ picks up the torch and redeems a franchise that always seems one film away from wearing out its welcome. Sam Mendes (‘American Beauty’) takes the…

Review: ‘The Master’

When boiled down, every Paul Thomas Anderson movie is about an outsider looking in. ‘Boogie Nights’ is about breaking into a scene. ‘Punch-Drunk Love’ is all about sitting outside normal human relationships and peering in. ‘The Master’ is a search for direction and place to belong. For a filmmaker who thrills at confronting personality flaws…

Retro Review: ‘Pulp Fiction’

Read on as Shotgun Critic explores some gems and turds of cinematic yesteryear. Rediscover a forgotten classic through fresh eyes, or see how time has worn away the polish on your favourite childhood movies. Join us. When it comes to career-defining films, it was Quentin Tarantino’s second work, ‘Pulp Fiction’ that has arguably defined the…